Showing posts with label Literary Analysis. Show all posts
Showing posts with label Literary Analysis. Show all posts
Tuesday, 7 August 2012
What's the point of a book review?
It might, after more than a month of reviewing books, be an odd time to question the purpose of a book review. Hopefully you’ll have read some of our existing efforts, and with any luck you’ll think we’ve understood our task relatively successfully, so why stop to worry about it now?
Well, to start with it seems there are two very distinct audiences for a book review, and they serve two very different purposes. Sometimes a review will be read by someone who is wondering whether or not they should read a book (or watch a film, or listen to an album…), and sometimes they will find a reader who has already read the work in question and wants to compare their experiences with someone new. Of course, there are also those who read book reviews in a desperate attempt to write a semi-informed essay on a book they haven’t read, but it’s hard to legislate for them.
Saturday, 30 June 2012
One Day - Analysis
SPOILER WARNING!
Is literary analysis something that ought to be reserved for a particular type of book? It’s a significant question, because implicit in it is a questioning of the fundamental purpose of literary analysis. This is a debate that fascinates me, but rather than exploring it in the abstract, I want to take a work of incredibly popular modern fiction, and subject it to some serious, if tentative, analysis. The book I want to take is One Day by David Nicholls: it is well on its way to reaching one million sales this year in the UK alone, but simultaneously its original structure provides a entry-point for analysis.
The originality of the book is chiefly found in this unique structure: the book follows the lives of protagonists Emma and Dexter on the same date across 20 years. Nicholls himself said that he wanted to create the sense of ‘a photo album, so that the characters seem to change, yet remain the same’. However this snapshot approach is undermined by the fact that (as critical reviewers have pointed out) each chapter tends to begin with each character recounting what has happened in the preceding twelve months.
Is literary analysis something that ought to be reserved for a particular type of book? It’s a significant question, because implicit in it is a questioning of the fundamental purpose of literary analysis. This is a debate that fascinates me, but rather than exploring it in the abstract, I want to take a work of incredibly popular modern fiction, and subject it to some serious, if tentative, analysis. The book I want to take is One Day by David Nicholls: it is well on its way to reaching one million sales this year in the UK alone, but simultaneously its original structure provides a entry-point for analysis.
The originality of the book is chiefly found in this unique structure: the book follows the lives of protagonists Emma and Dexter on the same date across 20 years. Nicholls himself said that he wanted to create the sense of ‘a photo album, so that the characters seem to change, yet remain the same’. However this snapshot approach is undermined by the fact that (as critical reviewers have pointed out) each chapter tends to begin with each character recounting what has happened in the preceding twelve months.
Subscribe to:
Posts (Atom)